Tuesday, December 29, 2009
Been Too Busy To Post!!
People it's been a while since I have entered an entry to this post with good reason. Since Omara, I have checked out Pepito Gomez, the SF International Salsa Congress with NG2 (amazing!) and Andy Montanez (smokin"), Milton Nacimento, Ravi Shankar, En Vogue, introducing the legendary Septeto Nacional De Ignacio Pineiro opening night at Yoshis SF, dj'ing countless gigs with everyone including Santero and being wowed by David Calzado y la Charanga Habanera -their first time in the SF Bay Area since 2000! Talk about a holiday season!
Monday, October 26, 2009
Omara y mas
I have taken a short break from blogging this month but before we get to November. I wanted to share my experience as an emcee for the Omara Portuondo show last Tuesday, October 20th at the San Francisco Jazz Festival. The show took place at the Palace Of Fine Arts theatre near the S.F. Marina. Omara is an amazing legendary Cuban singer who has over 5 decades of a great show biz career including stints with Anacaona, Cuarteto D'Aida, Orquesta Aragon and her own solo career. She was brought to the world's attention in 1997 as part of the Buena Vista Social Club phenomenom. Her duet with Ibrahim Ferrer "Dos Gardenias" elevated her to the world stage again after a star studded career in her native Cuba. She was so gracious when I spoke to her backstage. She remembered the phone interview that we did close to a year ago when her latest recording "Gracias" was first released. She was particularly overjoyed when I relayed the news to her that an old friend from the island, drum legend Walfredo De Los Reyes Sr. was in the audience. What a set! Omara dazzled from jazz tinged material to son to brazilian flavored compostions expertly performed by her tight supple band. To watch this woman move at her age with effortless passion (she must be in her late 70's) to a swinging son and singing to a male in the audience was a delight. The power and sensuality of her voice was still evident on moving ballads such as "Adios Felicidad". After the show, I was able to help Walfredo, Rebeca Mauleon, Emiliano Echeverria, Orlando Cepeda and a few other friends get in backstage to talk to Omara. Just the encounter of Omara and Walfredo was worth it. As soon as they saw each other, they started singing to each other as if they were back in Cuba many years ago. A beautiful moment.
Sunday, September 27, 2009
Mario Ortiz Jr. All Star Band...awesome!
"Tributo 45 Anniversario" on Zamora Music/Sony is the spectacular new recording by the Mario Ortiz All Star Band. The late Mario Ortiz was an esteemed trumpeter, arranger and bandleader who for four decades was an intergal part of the Puerto Rican salsa scene until his death in 1999. His son Mario Ortiz who is also a fine trumpeter has put out a terrific tribute to his dad by assembling a recording featuring the legendary creme de la creme of the scene: Cheo Feliciano, Andy Montanez, Ismael Miranda, Gilberto Santa Rosa, Richie Ray, Bobby Cruz, Papo Lucca, Roberto Roena, Bobby Valentin, Adalberto Santiago, Tony Vega, Pedro Brull, Tito Allen and others too numerous to mention. What exciting music big band style! This gem of a cd is so rich with explosive salsa, latin jazz and mambo (with a touch of reggaeton) that it is difficult not to have at least 4 or 5 favorite tracks. This is simply an exceptional recording from the smooth distinctive vocals of Cheo wrapped around a smokin' rendition of "A Quitarse" to the closing notes of the cinematic Spanish tinged instrumental "El Cid" featuring Ortiz Jr's scorching trumpet solo paying tribute to his dad. This will soon to be a collector's item! Big DJ Alert - you should be playing it already...allright? Everyone else...Pick it up now! A top ten contender for this year.
Tuesday, September 8, 2009
A New Recording to look out for-Cuban Masters Ensemble
Since Labor Day symbolizes to many the end of Summer. I thought that I would suggest an extraordinary recording that will make the transition towards the fall season a bit easier. The new cd by The Cuban Masters Ensemble entitled "Del Pasado Al Presente: Homenaje A Tata Guines" is a tremendous tribute to the late great master conguero Artimedes Soto otherwise known as "Tata Guines". This giant of a musician was known for his virtousity on the congas, as an integral participant on countless legendary recordings including the 1957 Cachao "Descargas En Minature" sessions and for his trademark cackle of a laugh. This all-star tribute includes a panorama of musical styles including rumba (of course!), danzon, son montuno, descarga and a taste of timba. Expertly performed by an awesome conglomeration of musicians and singers such as Bobby Carcasses, Changuito, Enrique Pla, Pancho Amat, Dagoberto Gonzalez, El Nene, El Indio, Lazaro Galarraga, La Caro Band and others. This recording truly smokes! It's on the Obanike Music label. It's worth searching for and picking up! Don't sleep on this one.
Tuesday, August 25, 2009
What We'll Put Up With In Order To See Our Heroes
I recently attended an important event: The kick off party to the 8th Annual SF Salsa Congress featuring the legendary El Gran Combo from Puerto Rico at one of my favorite salsa palaces (and I'm not just saying that because I work there) Cafe Cocomo. The place was stuffed with the "beautiful people", dancers, djs, musicians and those who just wanted to be seen. The dance troupes were amazing to watch: Ricardo and Michelle's Pretty Boys and Girls, Salsamania and Rica Salsa moved so smooth that they made it look easy to combine acrobatics, dance to precision and stay on clave to boot! Finally El Gran Combo jumped on stage. Now, I've seen El Gran Combo for more than 30 years and they are looking old up there. However...what swing and salsa from these great icons of our music. They don't move as much as they used to back in the day but they connected with the crowd! However, I started to notice that every song had an unwanted chorus of feedback. Yes, every song had feedback that the sound people could not fix! I spoke to my friend Rhush, Cocomo's manager who just shook his head and said that the sound people were El Gran Combo's sound techs who wanted to run the sound their way! The band didn't have a proper sound check to begin with and the techs didn't trust Cocomo's sound folks. So we (the crowd and I) endured a set of El Gran Combo with feedback every 2 minutes!!! Still the crowd danced, drank and partied because the music was soooo good!! I don't think that people were even aware of the feedback because it was Gran Combo playing up there!!!! A collective numbness from the crowd blocked the crappy sound from our ears....we would not be denied our favorite El Gran Combo tunes. What we'll put up to see our heroes.
Monday, August 3, 2009
Hola From Barcelona, Espana-Talking with Ël Molestoso
Barcelona, Spain is hot with a rich music scene that ranges from salsa to rumba catalana. One of the reasons that Spain is on the latin musical map has a lot to do with one of its primary movers and shakers, Enrique Romero "El Molestoso", a champion of la "salsa dura" since the early 80´s in Barcelona. Enrique wears many hats which include hosting the popular radio program "Picadillo" on RCB Radio, being the artistic director in charge of promotions of the "Antilla" --considered one of the most important salsa clubs in Europe--, as well as a sought after graphic designer who was former publisher/editor of the highly regarded magazine "El Manisero" and a noted salsa club dj who just recently performed at the prestigious Tempo Latino festival in France.
Enrique, who is known for his wicked sense of humor and sharp musical opinions, is also the Product Manager of Radio Gladys Palmera, a unique radio station that broadcasts out of Barcelona, Madrid and Valencia 24 hours a day. Their format is called "sonido global" blasting salsa, rumba, chanson, flamenco, electronica, latin jazz, eclectic pop, cuban and world music. Radio Gladys Palmera, the brainchild of founder Alejandra Fierro Eleta is celebrating their 10 year anniversary. For more info on Radio Gladys Palmera and to listen on line, visit radiogladyspalmera.com. To check out what Enrique Romero is all about, check out his web site: www.latincoolture.com. I will be airing an interview with Enrique on Con Sabor in September on KPFA 94.1 FM or www.kpfa.org where the music programs are archived for two weeks.
Enrique, who is known for his wicked sense of humor and sharp musical opinions, is also the Product Manager of Radio Gladys Palmera, a unique radio station that broadcasts out of Barcelona, Madrid and Valencia 24 hours a day. Their format is called "sonido global" blasting salsa, rumba, chanson, flamenco, electronica, latin jazz, eclectic pop, cuban and world music. Radio Gladys Palmera, the brainchild of founder Alejandra Fierro Eleta is celebrating their 10 year anniversary. For more info on Radio Gladys Palmera and to listen on line, visit radiogladyspalmera.com. To check out what Enrique Romero is all about, check out his web site: www.latincoolture.com. I will be airing an interview with Enrique on Con Sabor in September on KPFA 94.1 FM or www.kpfa.org where the music programs are archived for two weeks.
Friday, July 24, 2009
Summer Listening 2009
Summer is a great time to get away. I'm leaving on vacation tomorrow. But before I go, I wanted to recommend some hot recordings that will enhance your mood whether it's salsa, latin jazz, timba, reggaeton, latin alternative or whatever gets your inner groove on. Pa' bailar, gozar y sudar...con sabor!
Claudia Acuna "En Este Momento" - exceptional jazz vocalist from Chile. Get ready to be seduced.
Bebo & Chucho Valdes "Juntos Para Siempre - father & son piano legends: masters at work.
Tito Puente "Dance Mania" (2 cd Legacy Edition includes Vol 1 & 2) - classic, essential dance music from the King himself at the height of the Palladium period.
La Sucursal S.A. "Lo Nuestro" - Salsa dura from Barcelona con swing y calidad!
Edwin Clemente "Aqui Traigo La Rumba, Bailador" - timbalero extraordinare, explosive tunes.
Various "Ahora En La Habana 2" (cd/dvd) the latest hits from the current idols from Cuba
Latin Giants Of Jazz "Ven Baila Conmigo!" - powerful playing, great singing, dope tunes = A list
Jimmy Bosch "A Millon!" - trombone titan combines salsarific songs with biting social commentary.
Tiempo Libre "Bach In Havana" - enjoyable fusion of cuban music and JS Bach! Bravisimo!
Orestes Vilato "It's About Time" - long awaited cd from percussion master - con clase y en clave!
Chembo Corniel "Things I Wanted To Do" - great latin jazz from one of new york's finest
Santero "El Hijo De Obatala" - oakland based dj/rapero offers his intoxicating stew rich w/beats, salsa, afro-cuban and hip hop.
Bobi Cespedes "Patakin" - soulful earthy vocals, cuban son, classic boleros-there's only one Bobi!
Bobby Sanabria/Manhattan School Of Music Afro-Cuban Jazz "Kenya" - Machito's smiling from above checking out this powerful big band tribute from conductor Sanabria and company.
Yumuri Y Sus Hermanos "Cubano Cubano" - Maraca's sonero brother has put out a scorcher. Hear it...Dance to it...just get it!
Calle Real "Me Lo Gane" - The european ambassadors of timba just raised the bar with this hot new release! Que barbaro!
Aymee "Corazon Sonero" - My guilty pleasure. She's politically incorrect but the tunes are irresistable.
Various - "Live At Jellys" - Great moments captured from the best of the San Francisco Bay Area salsa scene performing live. I not just saying this because I work there either!
Claudia Acuna "En Este Momento" - exceptional jazz vocalist from Chile. Get ready to be seduced.
Bebo & Chucho Valdes "Juntos Para Siempre - father & son piano legends: masters at work.
Tito Puente "Dance Mania" (2 cd Legacy Edition includes Vol 1 & 2) - classic, essential dance music from the King himself at the height of the Palladium period.
La Sucursal S.A. "Lo Nuestro" - Salsa dura from Barcelona con swing y calidad!
Edwin Clemente "Aqui Traigo La Rumba, Bailador" - timbalero extraordinare, explosive tunes.
Various "Ahora En La Habana 2" (cd/dvd) the latest hits from the current idols from Cuba
Latin Giants Of Jazz "Ven Baila Conmigo!" - powerful playing, great singing, dope tunes = A list
Jimmy Bosch "A Millon!" - trombone titan combines salsarific songs with biting social commentary.
Tiempo Libre "Bach In Havana" - enjoyable fusion of cuban music and JS Bach! Bravisimo!
Orestes Vilato "It's About Time" - long awaited cd from percussion master - con clase y en clave!
Chembo Corniel "Things I Wanted To Do" - great latin jazz from one of new york's finest
Santero "El Hijo De Obatala" - oakland based dj/rapero offers his intoxicating stew rich w/beats, salsa, afro-cuban and hip hop.
Bobi Cespedes "Patakin" - soulful earthy vocals, cuban son, classic boleros-there's only one Bobi!
Bobby Sanabria/Manhattan School Of Music Afro-Cuban Jazz "Kenya" - Machito's smiling from above checking out this powerful big band tribute from conductor Sanabria and company.
Yumuri Y Sus Hermanos "Cubano Cubano" - Maraca's sonero brother has put out a scorcher. Hear it...Dance to it...just get it!
Calle Real "Me Lo Gane" - The european ambassadors of timba just raised the bar with this hot new release! Que barbaro!
Aymee "Corazon Sonero" - My guilty pleasure. She's politically incorrect but the tunes are irresistable.
Various - "Live At Jellys" - Great moments captured from the best of the San Francisco Bay Area salsa scene performing live. I not just saying this because I work there either!
Tuesday, July 14, 2009
You'll feel the "Soul Power" with Fania on Film
I recently was invited to a screening of a powerful new documentary "Soul Power". This film documents the 1974 three day festival which took place in Zaire, Africa which featured scintillating peformances from James Brown, B.B. King, Bill Withers, The Spinners and last but not least Celia Cruz and the Fania All Stars. The festival took place before the legendary fight between Muhammad Ali and George Foreman (aka "The Rumble In The Jungle").
I was struck by the segments featuring the Fania All Stars. The joy of an impromptu jam session aboard a plane full of these great musicians with Fania holding court: Johnny Pacheco blowing his flute, Celia Cruz soneando her inspiraciones, Pupi Lagaretta effortlessly playing guajeos on his violin, Yomo Toro strumming his cuatro with BB King looking on with a big smile, Ray Barretto and Nicky Marrero keeping the percussion burning from their plane seats and Ismael Miranda joining in on coro. But that's not all! The film captures an explosive performance of the entire band performing the Celia and Johnny classic "Quimbara". Celia looked majestic in her splashy cuban carnaval dress as she connected with her African public through her passionate voice. Pacheco leads this monster of a band with his natural showmanship taking his cue to dance rumba with Celia on-stage. And what a band: Cheo, Lavoe, Santitos Colon, Ismael Quintana, Ismael Miranda, Larry Harlow, Bobby Valentin, Pupi and that fabulous horn section! This leads up to a smokin' percussion finale featuring Nicky Marrero on timbales, Roberto Roena on bongo and Ray Barretto on congas. Barretto in the heat of a burning solo then jumps up and "dances" with his conga to end the number. Wow! It reminded me of the first time that I caught the Fania All Stars at San Francisco's Winterland in 1975. The film documents the enthusiasm of all of these great musicians making the connection with Africa.
For the African American musicians, it signified a deep sentiment that they were "home" where they didn't feel the sting of racism and discrimination. The film primarily focuses on these great entertainers. A confident and wise crackin' Muhammad Ali lights up the screen with his poignant comments on the difference on the way he is treated in Africa as opposed to America. The other great presence on the screen is the late "Godfather of Soul" James Brown. This film truly demonstrates why he was an international phenomenon and an inspiration through his music.
Another great scene illustrates the universal power of the drum as Ray Barretto and Nicky Marrero play drums on a Zaire street with a group of African drummers. They didn't need to speak a particular language to talk to each other, the rhythm of the beats they played said it all.
I was struck by the segments featuring the Fania All Stars. The joy of an impromptu jam session aboard a plane full of these great musicians with Fania holding court: Johnny Pacheco blowing his flute, Celia Cruz soneando her inspiraciones, Pupi Lagaretta effortlessly playing guajeos on his violin, Yomo Toro strumming his cuatro with BB King looking on with a big smile, Ray Barretto and Nicky Marrero keeping the percussion burning from their plane seats and Ismael Miranda joining in on coro. But that's not all! The film captures an explosive performance of the entire band performing the Celia and Johnny classic "Quimbara". Celia looked majestic in her splashy cuban carnaval dress as she connected with her African public through her passionate voice. Pacheco leads this monster of a band with his natural showmanship taking his cue to dance rumba with Celia on-stage. And what a band: Cheo, Lavoe, Santitos Colon, Ismael Quintana, Ismael Miranda, Larry Harlow, Bobby Valentin, Pupi and that fabulous horn section! This leads up to a smokin' percussion finale featuring Nicky Marrero on timbales, Roberto Roena on bongo and Ray Barretto on congas. Barretto in the heat of a burning solo then jumps up and "dances" with his conga to end the number. Wow! It reminded me of the first time that I caught the Fania All Stars at San Francisco's Winterland in 1975. The film documents the enthusiasm of all of these great musicians making the connection with Africa.
For the African American musicians, it signified a deep sentiment that they were "home" where they didn't feel the sting of racism and discrimination. The film primarily focuses on these great entertainers. A confident and wise crackin' Muhammad Ali lights up the screen with his poignant comments on the difference on the way he is treated in Africa as opposed to America. The other great presence on the screen is the late "Godfather of Soul" James Brown. This film truly demonstrates why he was an international phenomenon and an inspiration through his music.
Another great scene illustrates the universal power of the drum as Ray Barretto and Nicky Marrero play drums on a Zaire street with a group of African drummers. They didn't need to speak a particular language to talk to each other, the rhythm of the beats they played said it all.
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